Showing posts with label the resistance. Show all posts
Showing posts with label the resistance. Show all posts

Friday, November 22, 2019

Lewis's Oxford and grave (he loved cats--especially lions!)
On this day, November 22, 1963, Aldous Huxley died in LA of an LSD overdose, JFK died in Dallas from an assassin's bullet to the head. And on the same day at The Kilns near Oxford, C. S. Lewis's devoted brother Warnie brought a cup of tea to his ailing younger brother. Moments later, Warnie heard a clattering fall. Lewis had tried to get out of bed but had collapsed. He died of kidney failure. "Men must endure their going hence," was the Shakespeare quotation from the calendar on the day Lewis's mother had died many years before when he was nine. Warnie had the words chiseled on his brother's grave marker in Holy Trinity churchyard in Headington Quarry where you can see them today.  Eclipsed by the high-profile deaths of the author of Brave New World and an American president, in the drenching November rain, only a handful of friends showed up for Lewis's funeral and burial. 

In a chapter of God Sings! (And Ways We Think He Ought To), I explore a number of the things C. S. Lewis wrote about congregational singing and hymns, by no means all complimentary. Early in his Christian experience, he thought the things his unsophisticated neighbors tried to sing in church were "fifth-rate poems set to sixth-rate music." He revised that as he matured spiritually. I conclude that chapter with the following:

LEWIS SINGS NOW
In a thrilling moment in The Magician’s Nephew, Lewis gives us a peek into the irrepressible force of music, perhaps what he truly longed for in singing. He has Aslan utter

"...a long single note; not very loud, but full of power. Polly’s heart jumped in her body when she heard it.
She felt sure that it was a call, and that anyone who heard that call would want to obey it and (what’s
more) would be able to obey it, however many worlds and ages lay between."

We can be pretty certain Lewis and his brother would not be bolting from their pew at the end of the church service and heading for the exit sign during that kind of anthem.

Though Lewis may have been overly opinionated about congregational singing in worship, and wanted “fewer, better, and shorter hymns,” over time he did come to see “the great merit” of the voice of the congregation, untrained, but singing from the heart, voices joining together, making a joyful noise unto the Lord.

Three hundred years before Lewis’s time, another Oxford-trained poet, Thomas Ken, wrote of glorified saints singing in heaven:

And hymns with the supernal choir
Incessant sing and never tire.

We’re safe to assume that C. S. Lewis is doing it as we speak, singing more, the best, and longest hymns, incessant ones, right next to the man in elastic side boots who used to sing out of tune, but now who sings more like how God himself sings.

Douglas Bond is author of Grace Works! (And Ways We Think It Doesn't) and twenty-seven other books of historical fiction, biography, devotion, and practical theology. He is lyricist for New Reformation Hymns, directs the Oxford Creative Writing Master Class, speaks at churches and conferences, and leads Church history tours in Europe. His book God Sings! (And Ways We Think He Ought To), from which this post is an excerpt, is available at bondbooks.net; order today and receive a free Rise and Worship cd.

Wednesday, April 17, 2019

How Does a Cathedral Mean?



Notre Dame Paris, 2013

I've been thinking a good deal about Notre Dame burning in Paris. I know I am not alone. My first of many visits to the most visited monument in Paris (yes, more than the Eiffel Tower) was in 1982; our Armistice Centenary Tour visited Notre Dame ten months ago. I will never forget or ever be able to fully express in words what walking into an 850-year-old Gothic cathedral feels like. It still feels that way. 
To the thousands who participated in building it, what did all the splendor mean? To a world secularizing at warp speed, what does a centuries-old stone church mean? I explore some of these questions in chapter 27 of my WWII historical fiction book The Resistance (available at bondbooks.net). My protagonist downed B-17 pilot and his French Resistance escort are forced to hide from the encircling SS manhunt on the precipitous tiles of a Medieval house directly across the street from another French Gothic structure, Bayeux Cathedral. Here's what happened:


27
HEIGHT OF TERROR

T
he alarm now wailed in Evans’ head, unrelenting, inescapable. Then, abruptly, it was no longer internal.
From the street came the roar of engines, tires thrumming on the cobblestones, brakes screeching to a halt, doors slamming, jackboots clonking on the pavement. Crisp knocking on a door. Silence. Fists beating a door. Shouting in German. Rifle butts pounding on a door five stories below.
“Maybe it is another door,” hissed Andre, his face ashen. “Perhaps for someone else?”
Hasty footfalls came from the stairs, then rapid knocking on the door of Andre’s studio.
Through the keyhole came a breathless voice. “They are coming! Waffen SS!”
“For us? Are you certain?”
“Absolutely. At the door of the shop.”
“How much time?”
“Three minutes. No more,” and he was gone.
Aimée grabbed Evans’ arm. “We must hide you!” He drew in breath sharply. His shoulder was not fully healed yet.
“Forget me,” said Evans. “Hide Ruben.”
“It is you they are searching for,” said Aimée, her green eyes wide and imploring. “You are an American flyer. If they find you, they will arrest all of us, including Ruben.”
She turned to Andre. “Is there anywhere?”
“The roof.” With a sweep of his arm, he cleared the workbench. “Out the window. Climb along the gable. Do not fall. Hide behind the chimney. Be sure they do not see you.”
“I want to go home.” There was a quaver in Ruben’s voice; he tugged at Aimée’s hand.
“Evans, you must hurry,” said Aimée, leaning toward him as if to give him farewell kisses on the cheeks.
“No!” said Andre. “You must hide as well. I will take the boy down. He is my cousin. It will look normal with the boy. They are not searching for a little boy.”
Aimée began to protest.
“There is no time. Go now! Hide with the American. We will stall them.”
Swallowing the lump in his throat, Evans followed Aimée out the window and onto the steep, slate roof. He tried not to look down. The hard cobblestones, he knew they were far below.
Scrambling behind the chimney, Evans drew in a deep breath and let it out slowly. He’d flown bombing missions high over enemy-occupied Europe, antiaircraft riddling his Fort, Fw190 fighters swooping in for the kill. Why more raw fear at this?
He heard the SS captain barking orders at his men in German, the harsh commands echoing across the street below and bouncing back at them off the west façade of the cathedral. Dropping bombs from 20,000 feet on munitions factory buildings, dangerous as it was, was detached, impersonal, done with machines. This was close, human, intimate, and—he feared—soon to be face-to-face.
Aimée and Evans pressed against the brickwork of the chimney. It wasn’t much cover, but it was all they had. A soldier glancing up from the street at just the right angle, and they would be seen. They pressed closer together, hard against the ridge and the chimney. Evans heard and felt Aimée’s heart pounding next to him, and the clutching staccato of her breath. Or was it his own?
“All we can do is wait,” whispered Evans, his voice barely audible.
Aimée’s face was pale. “And pray.” She mouthed the words. “I could not bear it if anything happened to my little brother.”
He nodded, trying to slow down the hammering of his heart. Directly across the narrow street loomed the massive cathedral. Evans studied the intricate medieval statuary adorning the west façade. The resurrection of the dead, souls rising from tombs, some to heaven, more to hell. Clearly the stonemason was more interested in the howling torments of the damned in hell.
A spasm fluttered in Evans’ left hamstring muscle. He tried to ignore it. The spasm hardened, constricting and contracting, tightening into an iron fist. If only he could change positions. The pain was excruciating. He tried to relax, but it was impossible, not while clinging to a precipitous roof on a medieval house far above the street. Teeth clenched, a tremor ran through his body.
“What is the matter, Evans?” whispered Aimée.
He swallowed hard and attempted to control the quavering he knew would be in his voice if he spoke.
“Are you ill?”
 “Cramp,” he managed to mouth, “in my leg.”
“I am sorry for you,” she whispered. “Perhaps, pressure directly on the muscle?”
He nodded. Holding on for dear life, how was he going to apply direct pressure to the back of his thigh?
“Think of something else,” she suggested. She bobbed her head at the cathedral façade. “Think of that.”
He looked again at the medieval stonework; the muscle in his leg felt like hard stone. The writhing condemned in the Last Judgment scene looked like he felt at the moment. Evans studied the north portal. It began to make sense. The mason had chiseled stony vignettes from the Passion of Christ. There was the Last Supper, the betrayal, Jesus praying to his father in the garden; and there was the kiss of Judas, the arrest, torture, carrying the cross, brutal crucifixion.
Evans shuddered. The war, the SS bursting into homes, arrests, torture, senseless killing, reprisals, ambush, spies, double agents, secret radio transmissions—being shot down, bailing out, hunted, others in grave danger because of him. How would all that look in stone relief? 
He scanned back through the stone vignettes, the knot in his hamstring subsiding. Why had they done it, carved those scenes in stone, built the entire structure, all in stone?
It suddenly occurred to Evans that from this angle, cowering high atop the roof of a medieval house, he and Aimée were seeing parts of the cathedral others never saw. Statues so high up, so out of sight from passersby, they were impossible to be seen from the pavement. Slowly, he scanned the facade, higher and higher it continued. People had lived in the shadow of Bayeux’s cathedral for nearly 1000 years, and how many hundreds of intricately carved statuary had never been seen by anyone? Yet humble stonecutters had tap-tapped away for years, decades, generations, each successive mason doing his part to create this magnificent place, whether his work would ever be seen by anyone or not. What was so important that centuries of workers would do it?
As Evans mused, the sun began to set and a golden glow radiated from the façade of the ancient edifice. Even if it had been safe to speak aloud, what was on display at that instant was so spectacular, wonder alone would have hushed them.
What had the voice on the BBC broadcast said only a short while ago? “When Christ died, he died for you individually just as much as if you’d been the only man in the world.” Evans wasn’t at all sure what it meant; Sunday School had been long ago; he needed to think more deeply about it. But whatever it did mean, it made him feel that there had to be something bigger, far more important than his own troubles.
Jolted abruptly back to the peril of the moment, Evans and Aimée heard the harsh barking of the SS captain apparently reentering the street below. They could not see anything, but his words echoed from the gulf between the house and the façade of the cathedral.
“Please, God, not Ruben,” whispered Aimée.
Evans nodded in agreement. He wanted to see what was going on five stories below, in the street. He felt so helpless. What good was a flyer without his weapon, his plane? If only he could do something to stop the Germans.
“When will they leave?”
Evans shook his head. He had no idea. How long would they have to hide? All night?
The yelling continued, guttural, harsh, brutal. There was nothing to do but wait. Oddly, as they waited, involuntarily crammed together behind the chimney, high atop the medieval house, they began to feel detached from the commotion, as if their vantage point made them safe, at least for the instant.
“If I tell you something,” whispered Evans, “can you promise not to tell anyone else?”
Aimée looked wary. “Oui, bien sur.”
Evans cleared his throat, loosening the scarf at his neck. “I-I am not a big fan of heights.”
Aimée looked wide-eyed at him, and then her lips twitched slightly, as if she were restraining herself; it was hardly the time for humor.
“You are a pilot. You fly the mighty B-17, the Flying Fortress. The high-altitude bomber of your Army Air Corps. Are you telling me that you are afraid of heights?”
Evans nodded. “Always have been. Never liked climbing trees. Never slept in the top bunk. I told my younger brother it was the best mattress. Until one day he figured it out. I had to pay him off with marbles to keep quiet. And then we got older, but he still remembered.”
“It is courageous to do this.”
“What, to tell you?”
“I suppose. But I think it is courageous to fly high-altitude bomber airplanes when you are afraid of heights, in defiance of your fears.”
“Courageous? Maybe, or maybe just dull-witted.”
Aimée smiled. “You being dull-witted this morning at the checkpoint, it was merely a ruse de guerre.”
Evans nodded. “I get a hitch in my innards just hearing the words high-altitude. I really should have volunteered to do something closer to the ground.”
“Then you would not be here.” Aimée said it as a matter of fact.
Evans stole a glance at her.
Ruse de guerre,” she said. “Comprenez-vous?”
Evans swallowed, avoiding her gaze, her green eyes that looked right through you. Ruse de guerre, he understood. Deception of war. Everyone in wartime engaged in it—generals, prime ministers, spies, deep-cover agents. And so was he.
It was nearly dark. The yelling abruptly stopped. For an instant there was silence in the invisible gulf below them.  Suddenly, vehicle engines roared to life, and the SS sped north down the Rue de Bienvenu.



Read all of The Resistance by Douglas Bond

Friday, December 7, 2018

Is This Dying? (excerpt from THE RESISTANCE)

3
HELL FIRE

Teen, atheist to BBC "voice of faith."

For an instant, as Evans free fell from the spiraling bomber, he was certain the right wing was going to pound into his body like the arm of a giant windmill. Hot black smoke engulfed him, choking him, the heat from the burning engines suffocating him, singeing his hair. The ground rushing closer.
Why had he not gone into the infantry? As God intended, both feet firmly on the ground? He hated heights, always had. “Keep your eyes on the instruments and fly the plane,” his father had knowingly advised him.
He didn’t remember pulling the ripcord. Just a violent wrenching as his chute harness tried to crush the breath out of him, then nausea, and wincing pain in his left shoulder.
Then silence. His ears ringing from the chaos of noise he’d just escaped—engines roaring, machine guns spewing bullets, the high-pitched whine of the Fw 190s, more machine guns firing, the horrifying rush of air as he free fell through the bomb bay. And now silence, utter, floating silence.
For an instant, Evans wondered if this was death. Had he died and was this floating to heaven? Was there such a place? War had made him a firm believer in hell. But was there a heaven? And if so, who on earth—on such an earth—would be going there?
Then, behind and somewhere below his right boot, hanging prone from his chute harness, he heard a sickening crash as 25,000 tons of doomed aircraft hit the ground. Straining to see, he watched his B-17 erupt in a belching cloud of orange flame and black smoke. No, only a delusional fool would deny hell fire.
Tearing his eyes from the burning wreckage, Evans counted parachutes, one, two, three—he looked upward at the taut underside of his chute—four. Six of his crew didn’t make it. They were gone. A violent shudder ran down his spine. He was responsible for his men. He hoped they had died before the crash, before experiencing that burning inferno. He would write letters to their families, if he got the chance.
Suddenly, two of the chutes below him sagged and deflated. Two of his men were on the ground, in a pasture, bordered by a narrow road, enclosed on either side by a hedgerow. Alarmed at the sudden intrusion, three or four white cows kicked up their heels and fled.   
His navigator’s chute and his own were drifting sideways in a breeze, westward, as near as he could calculate. Then he saw them. Three trucks, a staff car, and two motorcycles.
His heart sank. Gunmetal gray paint, iron cross on the doors, swastika fluttering from the hood of the staff car...

Douglas Bond, author of a number of successful books of historical fiction, biography, and practical theology, podcasts at The Scriptorium, speaks at churches and conferences, and leads historical tours in Europe. Order a signed copy of The Resistance at bondbooks.net.

Monday, November 12, 2018

Armistice Day--Remembering True Heroes

My friend John Hemminger with his P-47
“Pay attention!”
            Steve Kelley, sportswriter for the Seattle Times, recently recollected the advice his father used to give him when they sat together watching the Philadelphia Phillies at Connie Mack Stadium. “Pay attention,” his dad would say when Willie Mays came to bat. “You’re watching greatness. You don’t want to forget this.”
I remember sitting on “Tightwad Hill” with my uncle watching the farm club Tacoma Twins, cheering wildly as I peered through the binoculars. Next day after school, I’d grab my bat and try my best to imitate the swing of those heavy-hitter wannabes. For the record, no matter how hard I tried, I wasn’t wired for baseball greatness. “You can’t put in what the Lord’s left out,” quipped the trainer in the classic film, Chariots of Fire. When I would come to bat at neighborhood games, on queue the outfield moved in, or just squatted down and waited until I finished flailing the air. Through all this, however, I have figured out something important: I pay attention to men I think are great, and I desperately try to be like them. And so do you. 
Kelley’s dad was right about one thing: you don’t want to forget greatness. We must sit up and “pay attention” to real greatness. But what makes someone worthy of this attention? What makes someone truly great, a worthy hero, someone you should never forget, someone you should hold in the highest regard, someone you should imitate?

All men honor heroes
“Any nation that does not honor its heroes,” said Abraham Lincoln, “will not long endure.” In an age when debunking heroes has become as American as apple pie and hot dogs, an age of flag-burning ingratitude, of pompous disdain for the past, an age that chants “Hey, hey, ho, ho, Western Culture’s got to go,” we should cringe at Lincoln’s prophetic words. Maybe we’ve come too close. Maybe we’re there already. Maybe we are a people that mock at real heroes and, in their place, are now bowing down before the real villains.
Nineteenth-century Scottish historian Thomas Carlyle wrote that “Hero-worship cannot cease till man himself ceases.” In the fifth century, Augustine referred to men as homo adorans, man made to adore, to worship, to venerate heroes. Thus, kings and generals are followed by their adoring armies even into the jaws of death. “Once more unto the breach, dear friends,” cried Shakespeare’s Henry V as he rallied his men before the battered walls of Harfleur, “or close the wall up with our English dead!”  In the 1st century BC, Julius Caesar was so adored by his legions that they were prepared to cross the Rubicon and march in defiance against Rome and Pompey. Or the young Alexander the Great motivating thousands to fight and die so that he might spread Greek culture and language--and rule the world in the bargain.
The literature of Western Civilization is the fascinating saga of great achievement, an enduring celebration of heroes. Great poetry praises the deeds of heroes, real or imagined, from the 300 Spartans at Thermopylae, to the bloody triumphs of Beowulf, to the dragon-slaying Red Cross Knight of Edmund Spenser’s epic allegory, to the 600 courageous men of Tennyson’s Light Brigade, even to the humble heroics of Tolkien’s mythical Frodo the Hobbit--it all fires the blood and fascinates the imagination.
One thing is overwhelmingly clear: You and I were made to adore heroes. We pay attention with all our being to great men.

Beware of false heroes
This ingrained tendency to adore heroes, however, poses particular challenges for young men growing up in a culture inundated by glitzy, muscle-bound icons of popular culture and the sports arena. Pop culture particularly plays on your love of heroes. It could not survive without it. The icons of entertainment demand your worship. They live and die for it. So it has always been.
Many historians argue that the history of the world is the history of men following heroes. It would be just as accurate to say that the history of the world is the history of young men blindly following the wrong heroes, following unworthy examples, whose vices are tragically compounded in their fawning worshipers.
So who are your heroes? In today’s reading, Paul urges the Philippian Christians to “Join with others in following my example,” that is to say, follow the right men, set up heroes for yourself and be like them. Speak as they speak; do as they do. The Bible often speaks this way. Twenty-eight times we are told to imitate others, often to follow Christ the Captain of our salvation, but fully seventeen of those times we are commanded to follow others, like Paul, who have been transformed by the power of the gospel of Jesus Christ and have been enabled by that same power to heroically follow Christ.
 Paul, here, is in earnest. This is no casual advice, take it or leave it. No. He reminds us, “I have often told you before and now say again even with tears.” Why with tears? Why so earnest? Because “many live as enemies of the cross of Christ.” Because an earthly hero has his “mind on earthly things.” And the young man who chooses to follow worldly heroes, to applaud at their entertainments, to listen to their music, to cheer at their achievement, to spend his money on their products, to paper the walls of his bedroom with their posters, that young man should not be surprised if he follows those heroes right into the jaws of hell. From this, you and I are duty bound to draw the line in the sand. This is no trivial matter. Don’t follow the enemies of the cross of Christ. “Their destiny,” Paul declares without equivocation, “is destruction.” And so will yours prove to be if you follow them.
Moreover, the more impressed you are by the status and achievement of unbelievers, by their sophisticated good looks, by their clothes, their shoes, by their posture, their swagger, by their prowess in sports, by their associations, their way of speaking, by their money and fancy cars, lavish houses, planes, and yachts, the more you are moved by these things the less you will be able to separate out their vices. Soon they won’t seem like vices at all. At the last their vices will be yours. Know that their end will be yours as well. Fully expect to become like those you adore.  
“We are all creatures of imitation,” wrote nineteenth-century Anglican bishop J. C. Ryle. “Precept may teach us, but it is example that draws us.” And since those examples can draw us from both directions, you must beware of the tendency to go easy on the parts of your sports or music heroes’ lives that you know are sinful.
Do you honestly think that you will be unaffected by the foul language, the unfaithful living, the hostility to truth, or the swaggering arrogance of your worldly heroes? I doubt it. And the more impressed you are with their achievement the more likely you are to embrace other elements of their lifestyle.
Don’t expect to see it coming like a tidal wave. It all happens gradually. Rarely does a young man, like yourself, who is growing up in a Christian home, rarely does he plunge headlong into sin with his back against all he has been taught. Generally, it happens little by little, one single, what’s-the-big-deal step at a time. “The road to hell,” observed C. S. Lewis, “is a gradual one.”
The best way to avoid the gradual road to hell, is to cultivate honor for and imitation of truly worthy heroes. Here’s one of mine.

Fight to the death
            I’ve thought a good deal lately about one of my heroes. P-47 World War II fighter pilot, John Hemminger lived with his wife and three children on American Lake, a five-minute bicycle ride from my childhood home. I was the neighbor kid who always hung around in the summer, fishing, swimming, and doing wood-working projects in the basement. Along with the stray dogs that attached themselves to kind-hearted Mr. Hemminger, I too adopted the Hemminger family as my own.
My mother’s rule was that I couldn’t go swimming unless the thermometer read seventy degrees. I soon figured out how to nudge it up with the hair dryer, and then I’d hop on my bike and off to the Hemmingers. I always tried to time things so I could sit down for the usual lunch fare of grilled cheese sandwiches, soup, Gravenstien apple sauce, dilly beans, and smoked salmon. Nobody did homemade applesauce like Edna Hemminger, and nobody did salmon like John Hemminger.
John Hemminger was a man of deeds and not words, and so I rarely heard him speak about the war, and never about his role in it. I was forced to piece things together from pictures and from stories others told about his role in that great conflict.
“The greatest catastrophe in history,” Stephen Ambrose called World War II and “the most costly war of all time.” In April, 1945, 300,000 Americans attacked the Japanese island of Okinawa, while the US Navy was pounded by 350 kamikaze planes. We lost thirty-six ships. In human life, the casualties were beyond staggering: 49,200 men in one battle. The Japanese lost 112,129 human lives at Okinawa. Still they fought on.
Germany surrendered in May, but by summer, it appeared that Japan would fight on until there was not a Japanese soldier who remained alive. A full-scale Allied invasion of Japan seemed the only option, but it was an invasion that would have cost 1,000,000 American soldiers their lives. President Truman opted to drop two atomic bombs on Japan in hopes of breaking the enemy’s will to fight to extermination. It was as if the entire nation had become kamikaze flyers.
           
Fighter pilot greatness
In 1941, after the Japanese attack on Pearl Harbor, America joined the war, and can-do men like John Hemminger were desperately needed to fight. He said goodbye to his childhood sweetheart, Edna Mae Firch, and joined up.
The picture I will always have in my mind of him is of a quiet young man in a leather bomber jacket, a shy, boyish grin stretching across his handsome features, posing with his beloved P-47, affectionately dubbed Edna Mae. Though called on to do highly dangerous and daring feats, there was no hint of the cocky, swaggering dog fighter in his looks or carriage.
John Hemminger loved machines. I can only begin to imagine his fascination at first sight of his P-47’s Pratt and Whitney, eighteen cylinder, 2,800 horsepower engine, or the heart-pounding thrill when he first accelerated into the heavens at his plane’s maximum speed of 433 mph.
He was a gentle, peace-loving man, so I particularly wonder what his first thoughts were when he laid eyes on the eight 12.7mm Browning machine guns bristling from the wings of his P-47, a machine engineered for killing. One thing I’m sure of: there was no better cared for fighter plane than his, and likely none more skillfully used for its designed purpose.
John Hemminger was credited with the last P-47 kill of the war. By some accounts, he and the Japanese pilot were slugging it out somewhere over the blue waters of the Pacific, September 2, 1945, while American top brass accepted the Japanese unconditional surrender on board the USS Missouri. The facts are unclear, because John Hemminger rarely spoke about the war, and boasting was something he never did.
What is clear is that John Hemminger, along with a generation of Americans, was a humble servant hero who did his duty, and then, unlike many with whom he fought, he returned home. Bidding farewell to his P-47 Edna Mae, he married his beloved Edna Mae, raised his family, and lived a long, seemingly insignificant, life. John Hemminger and his dear wife were not bombastic about their faith in Christ, but few people have more consistently lived out the Lord’s injunction to love their neighbor as themselves. Consequently, their home was a quiet, contented one, filled with stability and service.
In the world’s eyes, after the war John Hemminger lived an ordinary life, some might have called it boring. But not so to the dozens of missionaries he supported and took fishing when they were home, and whose decrepit cars he repaired, rebuilt, or replaced, often at his own expense. And all done hush-hush, so no one would give him credit for his latest acts of generosity.

True greatness
Jesus told his disciples, if they wanted to be great, to become servants. He didn’t say to become great baseball players, or inventors, or CEOs, or powerful politicians, or celebrity pastors, or best-selling authors—or even fighter pilots. “Whoever wants to become great,” Jesus said, “must be your servant” (Matthew 20:26). If you want to be great you too, must be a servant. John and Edna Hemminger were great Christians, because they were transformed into great servants by the ultimate Servant of servants, Jesus Christ.
My hero John Hemminger died of Parkinson’s Disease, December 27, 2006. His wife Edna Mae suffered for decades with Multiple Sclerosis before her home going. But I never heard either of them complain. They bore their trials with patience—even with smiles. Nor did I ever hear either of them speak critical words about others. I think they were simply too busy, in Christ’s name and by his grace, loving and serving their neighbors. Pay attention, young man. This is true greatness.
You probably don’t need to travel to faraway places to get to know and honor servant heroes. I suspect that in your church, neighborhood, and extended family there are several John and Edna Mae Hemmingers. Folks like them help unmask the masquerade of what passes for greatness among modern celebrities. Pop icons and all their vain-glorious glitter look pretty irrelevant next to great people like these--but only if you train your eye and your affections to know and honor genuine greatness.

Glitz or glory
Let’s face it. It’s far easier to talk about being impressed with servant greatness than it is to actually be so. I wonder if the normalization of sin is not the reason. “Worldliness is what makes sin look normal,” wrote David Wells, “and righteousness look odd.” Hence, venerating worldly heroes sets us up to begin feeling that humble, holy living is pretty out of touch, not much fun, certainly not cool.
Here again, you must pay attention. When you honor heroes who live worldly lives, you should expect to gradually become more impressed with their worldliness. Meanwhile, your worldly hero’s lifestyle will increasingly seem to be the normal way of things. And since no one wants to be odd, everyone wants to think of himself as a normal guy, so gradually you will wink at their vices, embrace their values, and imitate their ways. Finally, Paul’s point in Philippians 3:17-21 is that if you do this, when the dust settles, you will share in their destruction.
Puritan Jeremy Taylor described the incremental decline that a young man should expect to pass through if he forges friendships with worldly heroes and their sin. “First it startles him, then it becomes pleasing, then easy, then delightful, then frequent, then habitual, then confirmed, then the man is impenitent, then obstinate, then resolves never to repent, and finally he is damned.”
On the Judgment Day, all that worldly glitz, all that superficially impressive lifestyle will be unmasked. And if you have been duped by a false hero, by one whose “mind is on earthly things,” it will be far too late to halt the cycle of decline. You must do it now.
Join with others in following the example of great Christians—like John and Edna Mae Hemminger. The Bible is full of them, and so is church history. Pay attention to them.
Throw in your lot with the truly greats. Know your citizenship. Paul says it is “in heaven.” Know that most of the world’s heroes are frauds. Their power, their prestige, their wealth, is all borrowed and will someday be swept away with them. “Their destiny is destruction.” No real man would throw in his lot with losers like that.
You, young man of God, were predestined for a glorious body, transformed by the infinite power of the Lord Jesus Christ. Make him your ultimate hero, honor those who honor him, and resolve that he will have no worldly rival.
Learn more about my 20th Century books, War in the Wasteland (WWI) and The Resistance (WWII), both a significant CS Lewis historical connections--bondbooks.net  

Wednesday, October 31, 2018

Be Merciful to Readers and Kill Those Adverbs (do it aggressively, ruthlessly, mercilessly)--INKBLOTS

What are your favorite Twain-isms?
Sunday evening we had 78 people crammed into the Scriptorium for Reformation Then & Now, but this quiet evening for 'Blots we had six brave souls, fearless against the oncoming winter weather, dashing out in a lull of still benign autumn temperatures and little rain. John brought some vin du turpentine pays du tar concocted by a friend (I'd go with former friend, stuff'll embalm your innards).

Heroically (argh! an adverb creepingly elbowing in) launching in, Rachel Ng led off with her post WWII, Red Scare era yarn underway. Chapter two ten years later, the opening chapter being during the war when the couple first met. Rachel's command of words, and the images they conjure up, is delightful, and her oral reading has so much verve and energy. Dangled limply... isn't dangling by definition limply? Kill the adverb. Clever the way you use the German photographer in this post-war yarn. We asked Bob (since he would have lived through all that) how a German would be treated in the post-war era. He felt that this was Rachel writing in a more mature fashion, far fewer adjectives. He could close his eyes and see her bustling about her days work. Every word must have work to do for good writers. Do you need D-&@# several times in imperative sequence? What is your objective in doing so? I've been featuring the theme of how Christian writers portray evil and use language in their writing on my podcast The Scriptorium. In my writing, I have decided not to swear, or use excessive vulgar language, and certainly not to take the Lord's name in vain (there was at least one place where most would consider the language taking the Lord's name in vain). Poached from the post along with his two Pulitzers--you had fun with that alliteration.

John rereads the last chapter of Saving Grace, after multiple rewrites. The three keys to good writing are rewrite, rewrite, rewrite. There is a labor and delivery scene in this chapter, a difficult activity for a man to write about. We talked about using a visual icon at heads of chapters. More often seen in YA fiction than in an adult audience book. Consensus was that we like the changes John has read, especially adding Amazing Grace stanza. Very fitting.

Cheyenne read next from her dystopian Japanese-esque story. She uses Japanese names. Be careful with these, especially if they are difficult for readers to pronounce. You might try abbreviated versions of more complex names. You don't want to derail your reader every time they come across a difficult name. Another thought on names, avoid using names that begin with the same letter, also introducing confusion for readers as they get farther into the book and skim when they come to attributions. Vary first letters as a courtesy to your reader and to maintain forward, uninterrupted pace. Without over writing, you might consider describing with a simile how Japanese people's heads bob as they talk to you. Why didn't she need to answer. I feel like the money exchange and the employment needs more showing. The non verbals are cryptic and too hasty for the reader to get, but avoid overwriting it as you flesh it out. For example, your protagonist figures out he was more interested in an employee, but we don't see how she came to that conclusion. Show her sarcastic attitude with body language, facial expression, gesture. Was a little muted--just muted. Show them chewing and swallowing and spearing meat with their chopsticks, silence revealing except for grunts of satisfaction, pleasure, lips smacking, chopsticks clicking and scraping on bowls. What to describe with more development and what to state and move on. What is essential to character (especially protagonist) development and moves the plot forward needs more description.

Sydney rewrote the same chapter she read last 'Blots but changed to first person point of view. My first impression is that first person his more vigorous, immediate, and evocative. Sydney reads so well, with intensity, clarity, inflecting appropriately for the narrative and the dialogue. Though so far there is little dialogue.When this is picked up by a giddy publisher someday, Sydney needs to do author-read audio book version. The comparison of his mother's death and Christ's death long before. The thing that first person does for you so effectively is it fixes the concern we expressed last time you read. Description took over and your character was subsumed and subordinate to the description. Not anymore. And it's because you are seeing everything from the point of view of your protagonist. Cheyenne pointed out that there was less hearing and smelling. 

I read my final chapter in THE RESISTANCE, imminently forthcoming, off to press tomorrow. It was the second writing of the last chapter, the first version longer and tying up more loose ends--too many. This leaves the reader wanting more, I feel. It is romantic but I hope not mushy. You can pre-order at a special rate at bondbooks.net