Showing posts with label hymnology and worship. Show all posts
Showing posts with label hymnology and worship. Show all posts

Wednesday, November 20, 2019

Solitary Conceit: CS Lewis Sticking His Nose Up at Hymns

A
 generation ago, most mature Christians knew the power of singing psalms and psalm-like hymns in worship, in the home, and around the family table. Experienced Christians knew more of life and of the reality of death; they had knelt at the deathbed of loved ones and friends, and made the connection. A disciplined life of joyful singing was one of the very important ways we prepared ourselves for singing in the hour of death, blessing and encouraging the dying—and ourselves, the bereaved living.

"Solitary conceit," Lewis later called this dislike
Enter one of the great tragic problems for the new generation of Christians who have spent their lives singing happy-clappy songs, with little or nothing about death and dying in those songs, and singing them in a venue that requires the full array of entertainment instruments and soloists to lead us, a venue that is wholly inaccessible at the deathbed. There’ll be no band, no lead vocalist, nor will there be an organ at your loved one’s deathbed—or at yours.

Thoughtful Christians, ones who look down the road, will want to sing in the home and in their churches in ways that can be portable, can be carried on in the hospice bed. Christian, rediscover how to sing, before it’s too late.

The stories are legion of the elderly unable to remember anything and anyone, but able to sing hymns they had learned in their childhood. My father-in-law, suffering with Alzheimer’s, unable to remember his own wife and children, and unable to read the words in front him, sang Christmas carols with us a few short months before his death, all by memory—which he had of nothing else. Ten minutes before my father died, he sang Psalm 23 with us; I believe he was even harmonizing on the bass line, as he had taught me to do in corporate singing as a young man.

But it’s not just the elderly. There’s the 2014 account of eighteen-year-old Lexi Hansen who was pronounced brain dead and on life support after being struck by a car while riding her longboard. The doctors were grim; they said the unresponsive teen had a 5% likelihood of survival. Lexi’s mother gave the account of the family joining hands around her hospital bed, expecting her to die. Then, one of them began singing hymns. The rest of the family joined in. In moments, Lexi’s eyes opened, and she squeezed her family’s hands as they sang.

I remember seeing my aunt who had turned away from her Christian upbringing, now in her eighties, weeping as we stood around the piano singing hymns from her childhood, hymns whose content she no longer claimed to believe. Tears, nevertheless. 

In his Confessions, Augustine credits overhearing Christians singing with preparing his heart for the gospel. “How greatly did I weep in thy hymns and canticles, deeply moved by the voices of thy Church so sweetly singing.”

It would be impossible to overstate the role of corporate singing in the Reformation. John Calvin, cautious about music, nevertheless, knew its power over human hearts. “Music has a secret and almost incredible power to move hearts.” And Luther ranked music, and singing hymns together in worship, next only to the Word of God and theology.

SOLITARY CONCEIT
Though C. S. Lewis did not get everything right, one of the things that compels many of us back to his writing, is that in the things he did get right he wrote and spoke about those things better than just about anyone. But when it comes to singing in corporate worship, Lewis seems unable to break free of some of his early prejudices against corporate singing. Put bluntly, Lewis did not agree with Augustine, Calvin, and Luther about hymns and the power of singing them in worship, at least not initially.

Picture Lewis as a new convert in 1931, knotting his tie and walking from his home The Kilns to attend corporate worship at Holy Trinity parish church for the very first time as a true believer in Christ, in working-class Headington Quarry, only three miles from the exalted spires of his sophisticated life at the oldest university in England, but an intellectual and aesthetic cosmos apart from his life in blue-color Headington Quarry.

In his collection of essays, God in the Dock, Lewis describes his initial impression of his neighbors’ singing, their untrained voices, their unrefined musical tastes.

I disliked very much their hymns, which I
music. But as I went on, I saw the great merit of it. I
came up against different people of quite different
outlooks and different education, and then gradually
my conceit just began peeling off. I realized that the
hymns (which were just sixth-rate music) were,
nevertheless, being sung with devotion and benefit
by an old saint in elastic-side boots in the opposite
pew, and then you realize that you aren’t fit to clean
those boots. It gets you out of your solitary conceit.
It is not for me to lay down laws, as I am only a
layman, and I don’t know much.

Notice the development of his opinion about their singing, “the great merit of it.” Whatever his claims about not knowing much, Lewis had finely tuned, refined musical and literary tastes. Literature was his life’s work. He was one of the best-read scholars of his century, and much of that reading was poetry. Yet, he was operating under the cloud of postmodern changes in poetry, the Imagists of the early 20th century, the fragments of vers libre poets, and the general revolt against conventional poetry, the kind Lewis appreciated, understood, and loved. This may have had an influence on his early rejection of their “fifth-rate hymns.” The literary elites of the 20th century insisted that poetry with specific theological content was lesser poetry, perhaps not even worthy of being included as poetry. Lewis could not be entirely unaffected by his culture’s secular prejudice.

But observe Lewis’s change, his confession that it was his pride, his “solitary conceit” that led to his early dislike of corporate singing at Holy Trinity.

HYMN TO EVOLUTION
More of a spoof than a true hymn of praise to God, Lewis did set his pen to write a hymn, a tongue-in-cheek lyric to evolution.

Lead us, Evolution, lead us
Up the future’s endless stair;
Chop us, change us, prod us, weed us.
For stagnation is despair:
Groping, guessing, yet progressing,
Lead us nobody knows where.

Having fun at evolution’s expense, Lewis continues his playfully derisive verse through several more stanzas. We can’t help applauding his mocking lyric. But Lewis, of course, would not rank this as a proper hymn to be sung in the praise of God in corporate worship.

CORRUPT TEXTS
Nevertheless, hymns and singing not infrequently appear in Lewis’s writing... [excerpt from God Sings! (And Ways We Think He Ought To), available at bondbooks.net]


Douglas Bond is author of Grace Works! (And Ways We Think It Doesn't) and twenty-seven other books of historical fiction, biography, devotion, and practical theology. He is lyricist for New Reformation Hymns, directs the Oxford Creative Writing Master Class, speaks at churches and conferences, and leads Church history tours in Europe. His book God Sings! (And Ways We Think He Ought To), from which this post is an excerpt, is available at bondbooks.net; order today and receive a free Rise and Worship cd.

Monday, September 19, 2016

No Wiggle Room: The Five Unshakeable Solas NRH 07

Rome to Geneva Bond Tour 2015
NEW REFORMATION HYMN 07 (NRH 07)

Creator God, Our Sovereign Lord (8.8.8.8.8.6.)

I originally collaborated on this hymn with Paul Jones, Music Director, organist, and composer at Tenth Presbyterian, Philadelphia, he providing the excellent musical composition, and I the poetry. It's based on the five "solas" of the Reformation, sola Scriptura, sola fide, sola gratia, solus Christus, soli Deo gloria, with a refrain based on John Calvin's personal seal, "My heart I offer thee, O Lord, promptly and sincerely." We entered it in a Calvin 500 commemorative hymn writing contest based in Geneva... and lost; they said it was too doctrinaire, or something like that, and preferred a hymn written in commemoration of Calvin's 500th birthday (July 10, 1509) to be more conciliatory with modern ideas about God and religion.

Watch for this hymn and others on a forthcoming album composed and arranged by Greg Wilbur.


Creator God, our Sovereign Lord,
The heavens tell, the stars have shown,
Your splendor, might, and Deity,
Yet Truth lies in your Word alone.
                        My heart to you, O God, I give,
                        And by your Word I live.                                               
                       
In Truth your Word reveals my guilt,
My lost, unworthy self makes known,            
But now made new I’m justified
And live and move by Faith alone.
                        My heart to you, O God, I give,
                        And now by Faith I live.

Before you made the world you chose,
In love, to send your only Son
To ransom me and make me one
With Christ, my Lord, by Grace alone.
                        My heart to you, O God, I give,
                        And now by Grace I live.

O Christ, Redeemer, Savior, King,
Subdued by grace, I am your own;
Enthrall my soul and make me free,
Reformed, redeemed by Christ alone.
                         My heart to you, O God, I give,
                         And now in Christ I live.

O glorious God, who reigns on high,
With heart in hand, before your throne,
We hymn your glory ‘round the world   
With psalms adoring you alone.
                          My heart to you, O God, I give
                          And for your glory live.

                                 Douglas Bond, Copyright, October 31, 2007

Brief commentary:
Creator God, our Sovereign Lord, by Douglas Bond, is written in quatrains of iambic Long Meter with a developing refrain arranged in an 8.6 couplet in iambic meter. The five stanzas are organized around the five theological priorities of John Calvin and the Protestant Reformation, expressed in Latin as, Sola Scriptura, Sola Fide, Sola Gratia, Solus Christus, Soli Deo Gloria, and in English as the Bible alone, Faith alone, Grace alone, Christ alone, to God alone the glory. The refrain makes parallel references to these five solas, and also alludes to Calvin’s inscription on his personal seal, Cor meum tibi offero, Domine, prompte et sincere, or in English, “My heart I offer thee, O Lord, promptly and sincerely.”

Tuesday, September 6, 2016

Love Poetry, Hard Labor, and the Hymn (NRH 05)

NEW REFORMATION HYMN (NRH 05): If I Can Speak With Tongues of Fire (NRH 05) (Long Meter, LM, 8.8.8.8.) 
After singing one of very few poetic texts on I Corinthians 13 and feeling that there was so much left unearthed in the lines I was singing, I began working on the following. This hymn was intensely painful labor (with apologies to my darling wife and all mothers). Over months that became years, I have worked and reworked several versions, some shorter, and one considerably longer.

In another post I might share another hymn that is a recasting of a recasting of one of the recastings of this one (and still recasting), the hymn itself being a recasting of Paul's great text on love, which was Paul, under Divine inspiration, recasting a description of Jesus himself who is ultimate love personified.
Hymn poetry.      Musical score.   Musical score 2      Erfurt (score)     Audio.



If I can speak in tongues of fire
Yet fail to do what love requires,
I’m nothing—though high mountains move—
I’m nothing without perfect love.

I’m nothing if I try to hide
Resentment, envy, selfish pride.                      
I’m nothing—though high myst’ries find—  
If I’m not patient, humble, kind.
                                                                  
His heav’nly gifts God gives to me
So Christ’s perfected love I’d see
And know—and speak, and serve and give—
And in my holy Bridegroom live.

In faith and hope, love perseveres,
No anger and no rudeness hears;
Such lovingkindness—fully blessed—
Gives foretastes of eternal rest.

We see in part like children here,
A poor reflection in a mirror;
Yet in my heart I long to find
Love more by Jesus’ love refined.

Above I’ll know, as Christ has known,
How vast his love for sinners shown!
With eyes undimmed I’ll end my race
And gaze on Jesus face to face!
                            Douglas Bond, Copyright, December 28, 2007

Thursday, June 9, 2016

Penned by Subterfuge: How the Sexual-Identity Crisis Alters What We Sing in Worship

NEW REFORMATION HYMN (NRH 01) 

New Reformation Hymns
In the current gender crisis, I wonder if the church hasn't made her own unwitting contributions to the sexual-identity chaos by allowing our feminized culture's priorities to creep into the content and manner of our singing in worship. 

Notice the contrast between what the post-conservative church sings and the lyric of Zechariah 9 and 10, for instance. The Bible's lyric often has heavy-duty language about war and violent conquest: "...mighty men in battle, trampling the foe in the streets," is one in a myriad of examples.

One of the ways we can tell when we are being more shaped by our culture than being shapers of it, is when the Bible's language and themes begin to sound odd to our ears, when we feel like we need to make apologies for the biblical authors, worse yet, for the Holy Spirit. They didn't really mean to put it that way. Couldn't they have been more sensitive to the priorities of our culture? 

This is one important reason the church must continue singing the Psalms and the best hymns of our spiritual forebears. Then, after our minds, hearts, and imaginations have been thoroughly shaped by biblical and historical doxology, only then are we equipped to contribute new appropriate hymns for this generation of Christ's body the church to sing. 

Isaac Watts' father rebuked his teen son for complaining about the abysmal singing in their church. "Don't complain unless you can do better," the wise father urged his son, the young man who would become the Father of English Hymnody. In no way comparing myself with Watts, nevertheless, I have been attempting to be less of a critic and more of a contributor. In that spirit, over the next number of weeks I'm planning to post new installments of my NEW REFORMATION HYMNS. I'll post them in the order in which I wrote them, this one being the first, written fifteen years ago. Over the last couple of years, it has been a delight to work with my friend Greg Wilbur, Dean of New College Franklin, and composer extraordinaire. Watch for the final result of those efforts coming soon (Deo volente).

(NRH 01) The Lord, Great Sovereign (Common Meter, CM, 8.6.8.6.)

He makes his children mighty men,

They bend the battle bow;

So in God's strength, against the proud,

His foes they overthrow! (stanza 3; see the entire hymn below)

4th Mr Pipes--a romp on the high seas
The whole hymn is a loose versification of highlights from Zechariah chapters 9 and 10, a passage on which I haven't seen other hymns written. Martial and conquest themes, one of many of the Bible's themes that capture male interests, are largely missing in much of what the church sings in worship at the moment. Browse through the Psalter. The Psalms are full of this full-armor-of-God theme. It ought to trouble us that this theme is almost entirely absent in modern worship songs.

I'm father of six, four of them male, three of them now married young men, starting their families. I wanted to write hymns on biblical male themes being neglected by well-intentioned lyricist today, but I was worried that I couldn't do it. Then I hit on an idea.  I would have my male protagonist, Drew, in The Accidental Voyage, the fourth Mr. Pipes book, write my first hymn. Then if it was a complete disaster I could blame it on my character. Drew gnawed on his pencil throughout the book, working at the hymn in fits and starts. Meanwhile, I was making--equally in fits and starts--my very first effort at writing this hymn. That was fifteen years ago. 

Honestly, it is no exaggeration to say that I was terrified at attempting to write a hymn. Let me write a haiku or a sonnet, anything but a hymn! I have such deep respect for the Psalms, the Old Covenant hymnal, and for so many hymn writers down through the centuries who have penned such rich Psalm-like and Christ-centered poetry for the church to sing. How could I presume to set my pen to write a hymn? Complain or compose?

So I set my trembling pen to paper. Whether or not it will find its way into the hymnal is entirely in the Lord's hands. Little did I realize fifteen years ago that this would by the first of many New Reformation Hymns. Here it is: 

The Lord, Great Sovereign, shall appear,

His wand’ring sheep he’ll bring

From distant lands, through surging seas,

To shout before their King!


Deceitful shepherds, false and vain,

Have led his flock astray;

God's enemies he'll trample down,

Their lies he will repay.


With trumpet blast, the Lord appears,

His arrows flashing round;

He shields his flock, destroys his foes;

Glad vict’ry shouts will sound.


He makes his children mighty men,

They bend the battle bow;

So in God's strength, against the proud,

His foes they overthrow!


Restored, victorious, gathered in,

Their enemies o'ercome;

God’s children worship round his throne,

And in his name they run!


God’s bless’d, redeemed, and chosen ones,

His children shout and sing!

"All praise to Christ, the Cornerstone,

Triumphant, glorious King!"
                           
 Douglas Bond, (Copyright, 2001)


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Wednesday, December 24, 2014

MERRY CHRISTMAS from Mr Pipes and all his old friends


MR PIPES TOUR in Olney 2012

From my book
Chapter Twelve: Winter and Christmas!
Popular Praise & Historic Christian Worship

    I need you to hold me
    Like my daddy never could.
    And I need you to show me
    How resting in your arms can be so good.
                  —Or—
      Fatherlike He tends and spares us;
      Well our feeble frame He knows;
      In His arms He gently bears us,
      Rescues us from all our foes;
      Praise Him, praise Him,
      Praise Him, praise Him,
      Widely as His mercy goes.
                                                      Henry Francis Lyte
After yesterday’s accident and the late night, Annie felt herself emerging far too early in the morning from the dullness of sleep. She sniffed then scratched at her nose and sniffed again. Something was tickling her nose!
Without opening her eyes she said in a sleepy voice, “Knock it off, please, Drew.” Feathers, probably; he was always collecting feathers.
In response, she heard a sort of snuffling breathing in her face. She opened her eyes wide. Staring back at her were two dark eyes set in a black and white furry face, tiny moist nostrils flared as they took in her scent.
“Monochrome! You’re awake!” she squealed softly, stroking the young skunk under his chin.
Sunlight shone brilliantly off the snow through her window. She hopped up and dressed. Then, scooping Monochrome up in her arms she headed for the kitchen.
“Merry Christmas!” boomed Mr. Pipes cheerfully from the stove. “Oh, and what have we here?”
“Merry Christmas to you, too!” said Annie.
“So he woke up,” said Drew, between mouthfuls of cold cereal and milk.
“Yeah,” said Annie, smiling at her skunk. “You wanted to have Christmas with us didn’t you, you cute little thing, you—Oh, Oocheepoo. And he crawled in bed with me. In fact, I thought you were tickling me, Drew, but it was Monochrome—whispering in my ear. Oh, you’re the sweetest thing I’ve ever seen!” She gave him a gentle squeeze.
“Annie, you’re embarrassing me,” said Drew.
Mr. Pipes smiled.
“Drew is having an appetizer,” he said, pouring boiling water into the teapot, “before Christmas breakfast—bacon, eggs, pancakes with maple syrup, all prepared just as you like them.”
“Hurrah!”
“Hurrah!”
“Then I thought we would strap on our skis and go to the health center and wish Dr. Dudley a Merry Christmas.”
“What about a tree?” asked Drew. “We sort of need a Christmas tree, don’t we?”
“I took the liberty of speaking with the caretaker about just that matter,” said Mr. Pipes. “She has graciously loaned us a potted Norfolk pine from her indoor plant collection. The lovely little thing is in the Garden Room. Perhaps, after our visit to the health center you would help me decorate it?”
Annie and Drew rushed out of the kitchen to inspect the tree.
“It’s lovely and it’s almost as tall as Drew,” said Annie, coming back into the kitchen. For a fleeting moment she felt a wave of sadness; this would be the first Christmas she could remember not decorating the tree with their mother.
“But now for breakfast,” said Mr. Pipes, followed by a loud sizzling as he ladled pancake batter onto the frying pan.
                                         
“I don’t think I’ve ever seen the sky such a deep, deep blue,” said Annie, as they skied alongside the newly plowed street on their way to the health center. She adjusted the straps on her knapsack.
Mr. Pipes smiled at the frosted brick houses and trees laden with mounds of snow along the street. With squeals and laughter, rosy-cheeked children, making a snowman in their yard, halted and pitched snowballs at them. Mr. Pipes and Annie and Drew called out season’s greetings to a family skiing past across the street.
“This will be a Christmas to remember,” said Mr. Pipes, his cheeks pink with exertion and the crisp air.
At the next cross street, Drew stopped and read a sign with an arrow pointing left.
“‘Lake Carter, !s     mile,’” he read, with excitement. “I wonder if there’s any fish in it.”
“It would be strictly ice fishing, at present,” said Mr. Pipes.
“Fishing for ice?” said Drew.
Mr. Pipes laughed. “No, no, my boy. Fishing through ice. I’m told it’s very good sport, though a bit on the chilly side.”
Annie halted in her tracks. The bulges in her knapsack kept wiggling. “It’s okay, Monochrome,” she cooed over her shoulder. “We’ll be there in a minute; have another cracker.”
A black pointy nose poked out of the knapsack flap and for a brief moment looked around curiously at the snow. Monochrome disappeared into the knapsack and the sound of contented crunching came from inside.
                                         
 “There now, imagine it,” said Dr. Dudley, his leg shrouded in a fresh plaster cast and suspended in the air by a chain. “My friends have not forgotten me.”
“Merry Christmas!” they said together.
“How are you, my dear fellow,” asked Mr. Pipes.
“Fine, oh, fine, indeed,” said Dr. Dudley. “Barring the fact that it is Christmas and I am trussed up with a broken leg and cannot leave for who knows how long. No, I am fine indeed.”
“We who saw it, thank the Lord you are not hurt more seriously after such a fall,” said Mr. Pipes.
“Yes, well, I bear all patiently,” said Dr. Dudley. “Now, then, how is my patient?”
“Monochrome is wonderful,” said Annie, “like nothing ever happened. Do you want to see him?”
“Rather!” snorted Dr. Dudley. “But you torment me, it is, of course, impossible.” He turned to the wall.
Smiling, Annie sat down on the edge of his bed and opened her knapsack. Out waddled Monochrome onto Dr. Dudley’s lap. He snuffled at the remains of Dr. Dudley’s breakfast pushed aside on a tray.
“I say!” said Dr. Dudley, brightening. “I say, I say!”
He stroked the coarse fur and with grunts and oohs and ahs of admiration at his work, he inspected the little creature.
“He’s fit as a fiddle!”
“And no more stink for this skunk,” said Drew.
“You have done fine surgery on him,” said Mr. Pipes. “I would trust my health in your hands without reservation.”
Just then they heard a quick knock on the door and in bustled a smiling nurse balancing a tray of instruments in her hands.
“Greetings to our English doctor patient,” she called cheerfully, not yet spotting Monochrome. “Now, you behave yourself while I give you a little poke and check your blood—”
She broke off. Her eyes bulged and she threw her hand over her mouth stifling what would have been a blood-curdling scream. The tray crashed to the floor. Monochrome arched his back and unfurled his fuzzy black and white tail. Everyone held his breath.
“Oh, oh, i-i-it’s going to—” stammered the nurse, fanning the air with one hand and gripping her nose with the other.

Annie and Drew looked at Dr. Dudley, the little skunk poised on his lap. For a moment they thought he looked worried. What would happen if Monochrome’s surgery didn’t actually work?
“My dear nurse,” said Dr. Dudley. “There is no odor, for I have surgically removed Monochrome’s odor sac.”
The nurse shook her head and kept her fingers pinched tightly on her nose.
“My dear, there is no foul odor,” insisted Dr. Dudley, taking a deep and noisy breath in an attempt to prove it.
“Ge’ i’ ou’ of my hospi’al!” she insisted, pointing at the door, her nose still plugged.
Mr. Pipes, Annie, Monochrome, and Drew beat a hasty retreat, wishing Dr. Dudley a Merry Christmas.
                                         
 Back at Mr. Whittier’s house, Annie and Drew made cut-out angels, stars, sheep, and mangers out of colored paper given them by the caretaker. They popped corn—“Like the Indians used to do,” explained Drew—and showed Mr. Pipes how to stitch it with needle and thread into stringers to drape around the little tree. They arranged candles in rows along the mantle and table to be lit that evening. The house filled with the delicious smells of roasting ham, baking sweet potatoes and simmering cranberries.
When they finished decorating the tree, Annie prepared a pot of tea and laid out shortbread Christmas cookies shimmering with frosting and flecked with colored sprinkles. Drew brought in an armload of logs and they sat down for morning tea before the cheery warmth of the fire.
“Merry Christmas to us all!” said Mr. Pipes, then sipping his tea.
“My gift for you,” said Annie sadly, “is at home.”
“So’s mine,” said Drew. “All of our gifts are at home.”
“That we are here together,’ said Mr. Pipes, “is gift enough. But, I just happen to have a little something I’ve brought for each of you, my dears.”
“What?” asked Drew eagerly.
Annie frowned at her brother.
Mr. Pipes handed each of them a neatly wrapped parcel. Drew said thanks and tore into his.                                                                                                                              
“Well, go on,” said Mr. Pipes to Annie.
In each of their boxes they found a little leather case with two gold pens, one a fountain pen and the other a ball-point. Mr. Pipes had engraved their names on each pen. Digging further down into the rustling tissue paper, they both found a beautiful leather-bound book. They opened them eagerly.
Drew looked at Mr. Pipes in surprise.
“There’s nothing in mine!” he said.
“Oh, it’s such beautiful leather,” said Annie, running her hand over the calf binding. “But mine’s blank, too.”
“Precisely,” said Mr. Pipes, smiling at them. “They are extra thick and you are to fill them—fill them with poetry and music written in praise of God.”
“Oh, thank you, Mr. Pipes,” they said together.
“Now, dig just a bit further,” said Mr. Pipes.
“Giant chocolate bars!” exclaimed Drew.
“English chocolate,” said Annie.
“Watch yours closely, Annie,” said Mr. Pipes, eyeing Drew, who had already torn into his wrapper.
                                         
Annie opened her old sketchbook on the desktop and reread her versification of Psalm 86. She sighed. It was Christmas; she was happy here with Mr. Pipes and her brother—and Monochrome. And she’d just decided not to think about not spending Christmas with their parents, not to think about it at all … no, not at all.
Mr. Pipes studied Annie’s face as he offered her another cookie.
“We need some Christmas cheer,” he said. “Annie, what carol would you have us sing for you?”
“Mr. Watts,” said Annie, brightening a little.
“‘Joy to the World,’ it is,” said Mr. Pipes. They lifted their voices together in praise: “‘… Let earth receive her King!’”
“And, how about Mr. Brooks?” suggested Drew, when they finished: “‘O, little town of Bethlehem.…’”
And on and on they sang.
Then Mr. Pipes read from the Christmas story in Matthew: “… [S]he was found with child by the Holy Spirit.… She will give birth to a son, and you are to give him the name Jesus, because he will save his people from their sins … and they will call him Immanuel—which means, ‘God with us.’”
“It’s amazing,” said Drew, studying a wisp of smoke curling up into the chimney. “Jesus could be a little baby born to poor parents in a barn—and at the same time be God.”
“Yes, it is amazing,” said Mr. Pipes.
Annie pulled her knees up under her chin.
“Do you think he cried?” she asked.
“Cried?” said Mr. Pipes.
“Jesus, when He was a baby,” said Annie. “Do you think even though He was God that He cried?”
“Ah,” said Mr. Pipes, smiling at her. “You are thinking of the phrase from ‘Away in a Manger,’ are you not?”
“‘No crying he makes,’” said Annie. “I’m not sure that’s true. What do you think, Mr. Pipes?”
“Perhaps an instance of sentimentalism,” replied Mr. Pipes. “Jesus was a real man—‘in all points tempted like as we are, yet without sin.’ I am most certain that as a baby he cried—not in fits and tantrums, mind you—but in discomfort and the like, he would have cried like any other real baby.”
“It’s sort of a balance then,” said Drew.
“Balance?” said Mr. Pipes.
“Yeah, between our thinking of Him as a real child and as God.”
Mr. Pipes sighed and rubbed his hand across his chin before replying.
“It’s kind of like that when we worship God,” said Annie. “He’s God, the Creator, the King of kings and He’s all powerful, on the one hand. But on the other, he’s more gentle, like a Shepherd. How do we keep all this straight?”                                            
“And doesn’t the Bible call us children of God,” said Drew. “And if Jesus was God’s Son (a son’s a child)—then, hey, that makes Jesus our brother!”
“To be sure, my dears,” began Mr. Pipes, “there is familiarity in man’s address to God in Scripture—‘The Lord is my Shepherd …’ and we call God ‘Abba Father,’ or ‘Daddy.’ But many today prefer the familiar dimension of God’s being and have little taste for His transcendence.”
“What does transcendence mean?” asked Drew.
“It means that God is high above us, that we are His creatures and He is the Holy, Almighty God Who made and rules the universe at His will.”
Annie cradled her chin in her hands and frowned.
“We sing what Mother calls ‘ditties’ at church with the Smiths,” said Annie. “She likes us singing those better than the hymns you teach us. I’m not sure why.”
“She calls your hymns, ‘dirges,’” said Drew.
“I like the hymns, but they do take more work to sing—and understand,” said Annie.
“Yeah, they’re way better,” said Drew. “You know, you can’t really sing the praise choruses loud,” he went on, “like you can with ‘Glorious Things of Thee are Spoken,’ or lots of the others. I can sing those loud.”
“Why is that?” asked Mr. Pipes.
“Well, with the choruses you sort of have to squint your eyes closed and sway from side to side,” said Drew, demonstrating. “And it gets kind of mushy—lots of the girls like ’em, but most of the boys just mumble along and feel kind of uncomfortable.”
“But lots of people who sing praise choruses,” said Annie, “really do love Jesus—the songs are all about a close relationship with Jesus—most of them.”
“I don’t entirely doubt that, Annie,” said Mr. Pipes. “But, alas, the praise choruses of the postmodern church often feature a vague sort of relationship—a familiarity based on rather elastic sorts of notions about God—ones that can be stretched and pulled to fit in with popular ideas. Hold a great hymn of Ray Palmer, for example, up next to a praise chorus and you will observe several important differences.”
“Like what?” asked Annie.
“The timeless hymns of the church are full of the reasons for our sung devotion to God. Praise choruses contain less and less doctrine so the praise springs not from clearly stated truths about God, His person and works, but from an ill-defined feeling of love and adoration. And the one doing the singing is much more the focus of consideration in most praise choruses than God, the stated object of the praise.”
“What do you mean?” asked Annie.
“Well, typical first lines of postmodern praise singing illustrate my point best: ‘I bless You,’ ‘I only want to love You,’ and ‘I just want to praise You.’ What we are doing and hoping to get out of this kind of singing seems much more important than the more difficult work of extolling the attributes and works of our Lord in a more Psalm-like manner.”
“But lots of the praise choruses are straight from Scripture,” said Annie, “even from the Psalms. How can there be anything wrong with those?”
“One must look at the bigger picture of what is happening in the church. The Psalms have been sung for thousands of years, but there is an important and disturbing difference between the Psalm singing of historic Christianity and today’s singing of portions of the Psalms.”
“How is it different?” asked Drew.
“Christian musicians today edit out the more complex doctrinal portions of Psalms and merely leave the praising bit in—now with fewer, if any, reasons stated for that praise. The simplest parts of Psalms are sung today—usually sung over and over again creating a warm but often only vague feeling of adoration.”
“So is feeling … bad in worship?” asked Annie.
“By no means,” replied Mr. Pipes. “The Psalms and the hymns of the church are full of deep emotion and heart-felt praise. But that spiritual feeling always follows objective doctrinal truth adorned in the poetry. The church today has an insatiable appetite for the religious feelings hoped for in worship but virtually no appetite for the theological content that must come first and inform the experience of God’s presence in our worship.”
“It’s sort of like you can’t get there from here,” said Drew. “You can’t have real feeling without the reasons for the feelings, right?”
“Precisely,” said Mr. Pipes.
“Mr. Palmer’s hymn, ‘Lord, My Weak Thought in Vain Would Climb,’ is a good example of what is not happening in worship today. Few want to lift weak thoughts to greater heights of understanding leading to true praise; why should they, when it is so much easier to have feelings created by popular mood music and simplistic words. It’s hard work thinking about the high truths of which Scriptural praise is so richly filled.”
“But choruses are okay for kids, aren’t they?” asked Annie.
“Ah, yes; an argument often insisted upon in their defense,” said Mr. Pipes. “But let me ask you: at the Smiths’ church, are these choruses sung only by the young? Or by adults as well?”
“That’s a good point,” said Annie. “They sing hardly any hymns—real hymns. It’s everybody, kids and adults, singing mostly choruses in church.”
“It is a striking thing, is it not, that with all the emphasis of Holy Scripture on children that God did not include a junior Psalter in the Bible from which generations of Jewish children might have sung simple tunes.”
“That would seem kind of silly,” said Annie.
“But alas,” said Mr. Pipes, “that is what the church has done today—made a junior Psalter, in which the message is altered to be simplistic and easy. And I fear many sincere Christian adults will offer only this juvenile singing to God all their lives—‘even down to old age.’ That is a great pity.”
“They’re missing out on the best,’ said Drew.
“All the while thinking they’ve got it,” added Mr. Pipes sadly.
“Most Christians actually think,” he went on, “that today’s praise choruses are a great improvement over the sung worship of the church in the past—perhaps they are somewhat better than the more recent past.”
“If they only knew,” said Annie.
“Employing the most up-to-date popular expressions of praise,” said Mr. Pipes, “can tend to give people a sense of spiritual superiority over those who are considered to be not with it—I believe that is the accepted slang for being contemporary and up to fashion.”
“Well, Mr. Pipes,” said Drew, smiling, “you are definitely—not with it  !”
“Thank you, my boy,” said Mr. Pipes, touching his fingers to his forehead in salute. “I want for you, my dear ones, to bind yourselves with the church throughout the ages by singing with her what is timeless and enduring, not what is fashionable, predictable and thus, eminently disposable. Generations from now Christians will not find light in ‘Shine, Jesus, Shine,’ I assure you. Nor will composers of great music in future generations borrow praise chorus tunes—or should I say, tune.”
“Most of them are pretty much the same,” admitted Drew, “over and over.”
“But none of this means that you and I have nothing to add to the canon of Christian hymnody, my dears,” said Mr. Pipes.
Annie looked down at her sketchbook and the new lines she had been scribbling. She just couldn’t bring herself to scribble on the clean white pages of her new leather writing book—not yet.
“You must contribute to the church throughout the ages,” he continued, “by adding hymns and melodies of the highest quality, adorning the timeless truths of Holy Scripture and lifting high the cross of our Lord Jesus—Whose birthday it is!”
“And I smell dinner!” said Drew, licking his lips and rubbing his stomach.

Mr. Pipes looked at his watch and strode casually into the parlor to look out the front window.
“What are you looking for?” asked Annie, cradling Monochrome in her arms.
Mr. Pipes smiled at Annie. “It is a lovely day for Christmas, isn’t it, my dear?”
“Yes,” replied Annie, blinking out the frosty windows.
“Shall we set the table and finish our dinner preparations?” he asked, his eyes twinkling merrily.
Annie smiled and followed him into the kitchen. She took down three plates from the cupboard and began setting the table.
“Only three plates?” said Mr. Pipes, his eyebrows aloft.
“I get to set one for Monochrome?” asked Annie eagerly.
“Well, my dear that is not exactly what I had in mind,” said Mr. Pipes, laughing. “It’s his manners; I fear the table would become a shambles.”
“But Dr. Dudley’s at the hospital,” said Annie, looking puzzled. “That leaves only the three of us—at the table.” She reached down and patted Monochrome sniffing along at her heels.
“It does?” said the old man, his eyes sparkling.
“What’s he got up his sleeve?” said Drew.
Just then from the front of the house came the blaring of a horn. Drew and Annie bolted into the parlor.
“It’s a snowplow!” said Drew. “And it’s stopped right in front of the house.”
Annie watched as the passenger door opened. She caught her breath and squealed with delight.
“It’s Mom and Dad!” said Drew. “All the way out here! I can’t believe it!”
Mr. Pipes smiled at their side.
“You knew all along!” said Annie.
“Not all along,” said Mr. Pipes.

Once in the front door, hugs, kisses, and handshakes were exchanged all around. Annie’s mother recovered herself quickly after seeing Monochrome and said, “Skunks are people, too.” Their stepfather shook hands warmly with Mr. Pipes, commented on how primitive the house was, and asked what smelled so good. The children’s parents explained how the train line from Boston deposited them only a few blocks from Mr. Whittier’s house, and how they were able to hitch a ride with the snowplow right to the front door.
“Annie, you’d better put on two more plates,” said Mr. Pipes. “Dinner is served right this way.” He led them to the table. Annie took a lit candle from the mantle and soon the table glowed with warm shimmering light as she lit a row of white candles. Drew added a log to the fire in the dining room.
When the last chair legs had scraped into position around the feast, a moment of uncomfortable silence hung over the cozy room. Annie and Drew looked at each other. Who would lead in prayer? They never prayed before meals at home.
“It is Christmas,” said Mr. Pipes, nodding for emphasis with each word. “The celebration of the birth of Christ the Lord. Let us pray.”

Baked ham and roasted potatoes drowning in melted butter, creamy sweet potatoes spiced with cinnamon, stuffing, and savory gravy soon found its way onto plates and into stomachs as they feasted together. When they could eat no more and dishes were cleared away, Annie made a pot of tea and served plates of shortbread and chocolate for anyone who had room.
“Pass the chocolate, please,” said Drew, for the third time. “Hey, Dad, there’s a lake nearby.”
“There is?”
“Yeah,” said Drew eagerly. “And how about if we men go ice fishing tomorrow morning—early?”
This was discussed for several minutes with Mr. Pipes explaining how it was done. The caretaker had offered Drew hooks, line, and a hole cutter, as well as advice on the best spot to fish on Lake Carter. It was settled.
“You know, I’m really sorry,” said Annie and Drew’s mother, “that we couldn’t bring along any of the gifts.”
“Would have taken a cargo plane,” mumbled the children’s stepfather.
“That’s okay,” said Annie. “I just wish I had my gifts to give Mr. Pipes and all of you.”
“Ah, yes, everyone loves gifts,” said Mr. Pipes, leaning forward and looking intently at Annie and Drew’s parents. “Have you ever wondered, Mr. Willis, why we offer gifts to one another at Christmas?”
Annie and Drew’s stepfather blinked several times and set his teacup on the table. “Frankly, I’ve never given it much thought,” he said. Then laughing, he added, “I always assumed it was a conspiracy started by children and encouraged by toy stores.”
“There is that,” agreed Mr. Pipes, laughing along with him. “But, of course you know Christmas is the celebration of the historic birth of Jesus Christ, Whom Holy Scripture describes as the ‘indescribable gift.’”
Annie bit her lip and looked at Drew.
“So you are suggesting,” said Mr. Willis, looking sideways at his wife, “that gifts given at Christmas are some sort of symbol of this Jesus?”
“Oh, that can’t be the reason,” said Mrs. Willis with a toss of her head.
“It doesn’t seem very logical that God would give human beings a gift,” agreed Mr. Willis. “Besides, I thought most religions were about humans giving gifts to God. You know, to pay for imagined sins, and all that.”
“Precisely, my dear sir,” said Mr. Pipes. “You could not be more correct about the uniqueness of Christianity. Like no other religion, the Bible declares men righteous—”
“Men and womyn,” interrupted Mrs. Willis, frowning at the old man. “Or, persons; could we be more inclusive, here?”
“Oh, to be sure, madam,” said Mr. Pipes, “The Scripture declares anyone who believes, righteous on the basis of Christ’s perfect righteousness. For Christ’s sake, He washes repentant sinners’ sins away and gives them—one and all—the gift of eternal life. Every other religion declares that you are capable of goodness and that God accepts you based on gifts of good works given to Him. Whereas, the Christian Gospel tells us the truth about ourselves: no one is capable of true goodness.”
“Hold on a minute,” said Mr. Willis. “Are you suggesting that I, who profess no religion, cannot be good without believing in your Christianity?
“So, you admit that there is a difference between goodness and badness?” said Mr. Pipes, his eyebrows rising with his enthusiasm.
“Of course I do,” said Mr. Willis. “Who doesn’t?”
“Ah, but on what basis do you decide what is good and what is bad?” replied Mr. Pipes.
Mr. Willis opened his mouth to speak, but for a moment no sound came out.
“Well, I feel that whatever is good for me—is good,” said Mrs. Willis. “But I’d never impose my ideas of goodness on someone else—and you shouldn’t either.”
“Hey, that doesn’t make—” began Drew.
Annie drove her elbow hard into his rib cage and gave him a look that said, “Not another word; we’ve tried our way; let Mr. Pipes speak.”
Mr. Willis looked at his wife and frowned. He met Mr. Pipes’s eager gaze for a moment and looked away, blinking uncomfortably as the inconsistency of her words—and his own beliefs—began to sink in.
“I-I think we just sort of know what’s good,” he stammered with a shrug.
“Scripture calls that ‘the law of God written on the heart,’” replied Mr. Pipes, reaching for his Bible. “But we, none of us, likes submitting to God’s law. In fact, Scripture teaches, what every sinner who honestly examines his heart knows, that we are enemies of God and His law. We are sinners, through and through, desperately in need of Christ, the gift of God and the only Savior of sinners.”

For the next hour, while Annie and Drew listened, Mr. Pipes answered questions and reasoned with the children’s parents from his Bible. Drew, who had seen Mr. Pipes urge the truth on unbelievers before, twisted a clenched fist into his palm in excitement as he looked at Mr. Pipes’s animated eyes and flushed cheeks. He loves this, Drew thought, watching the old man lick his finger eagerly and turn the familiar pages of his Bible, readying another reply.
Annie eventually stopped biting her lip as she watched the hint of change come over her parents. They’re actually listening, she realized; and she sent silent petitions up to her heavenly Father: “Salvation is from You, O Lord,” she prayed. “Give them humble hearts and open their blind eyes.”
Mr. Pipes paused and studied the children’s parents. They looked sufficiently disturbed with what must be the beginnings of a realization of the sore inadequacies of their self-made ideas. He had no intention, however, of entirely humbling them at this point. No, that would never do. After final urgings and a whispered prayer, he turned to the children.
“Annie,” he said, smiling, “Your parents look as if another pot of tea might be in order. I shall help you. And Drew, I believe the fire in the Garden Room could use a fresh armload of wood and a bit of a poke. Mr. and Mrs. Willis, do make yourselves comfortable in the Garden Room. We shall have a fresh pot of tea in a jiffy.”

A few minutes later, before a spitting and snapping fire in the cozy sitting room, Mr. Pipes and the Willis family sat in rocking chairs, sipping tea and talking about Christmas.
“Well, I still wish I had the gifts I made for you, Mr. Pipes, and for everyone,” said Annie, at last.
“Perhaps you do,” said Mr. Pipes.
“What?” said Annie.
“Why don’t you read us the poem you’ve been working on whilst snowbound,” said Mr. Pipes. “No gift would make me happier, and I’m sure your parents would love to hear it.”
Annie looked wide-eyed at Mr. Pipes. What would her parents think? They might even listen.
His chair creaking merrily as he rocked, Mr. Pipes steepled his fingers and nodded encouragingly at her.
She opened her sketchbook, tilted it toward a candle to see better, and cleared her throat. After one last look around the room, and after gently pushing Monochrome’s curious nose out of the way, she read:
      Great God, compassionate and kind,
      The God who hears my plea,
      You are my Help whose name I fear;
      My Strength forever be.
      In you, O Lord, I put my trust;
      Salvation is from you.
      From dawn to dusk I call your name;
      Your mercy’s ever new.
      All my desire I give to you;
      Pure joy from you does flow.
      For those who call with humble heart,
      Your grace and love will know.
      In all your works how great you are!
      I praise you Lord my God.
      Teach me with undivided heart
      To walk where you have trod.
“You wrote that, Annie?” said her father.
“Did you learn how in school?” asked her mother. “No, that couldn’t be it. Did Mr. Pipes teach you how to do it?”
Color rose in Annie’s cheeks. “It’s still a little stiff. But Mr. Pipes is teaching me—he along with all his old friends.”